Clint Rauscher and Shelley Brooks
Song: "Hasta Siempre Amor" by Carlos di Sarli canta Horacio Casares
In this class, we start by walking with the leaders changing weight without leading the women to change weight. Then we walk and switch to cross system and perform small sacadas as we walk.
Walking Sacada to Giro with Enrosque (:39 of video)
After the walking sacada to the open side of the embrace, the man takes a side step with his right and leads the woman to a forward cross with her right. Then the man sends his right leg behind his left while leading the woman to pivot and perform another forward cross. The man then pivots on both feet (enrosque, corkscrew) while leading the woman to a side and then back cross. At her back cross, he switches weight to his left eg and then exits to a cruzada for the woman in cross system.
Tip: When the man sends his left leg back, behind himself, it should hit at approximately the same time the woman's left leg hits the ground for her second forward cross.
Tip: After the enrosque, the man should switch weight to his left at about the same time as the woman's left leg hits the ground for her back cross.
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Tag Name: caminata (walking)
Clint Rauscher and Shelley Brooks
This move is part of our Popular Steps for the Social Dance Floor series.
The interesting thing about this step is that while walking (caminata) the followers keep switching sides and switching systems (parallel vs cross) during the step. They start out on the leader's right side, switches to the left and then back to the right. So, this requires a flexibility or elasticity in the embrace to allow her to travel within my embrace.
The second thing is that we have the followers take two steps to our one step twice in the move. We like to call this “dancing the woman” or “the invisible lead,” when I ask her to take steps that I am not doing myself.
Step Breakdown (the numbers below correlate to the numbers in the slow-motion part of the video):
- We start by leading her to a Salida Americana. The leaders take weight on their right leg and as she takes weight on her left leg she comes back to neutral in front of us. At this point we are in parallel system. Now the leader stays on his right leg, while leaving his left behind, and leads her to take a side step with her right leg. Now we are in cross system and she is on our left side. We must relax our embrace during this move to allow her to travel to our left side, if we hold her too tightly then she will either not go or will pull us off balance.
- Now we step forward with our left and she steps back with her left. We stay on our left, leaving our right behind, as we lead her to take a back cross step across our path to our right side. We are back in parallel system.
- We collect and step forward (outside partner) with our right. She steps back with her left.
- We step back in front of her with our left as she steps back with her right and we are done.
At parts 1 and 2 above we take one step while leading her to take two steps. This takes us from parallel sytem, into cross system and then back into parallel system. We can maintain a close embrace during this whole step, but must relax the embrace enough to allow her to move slightly in the embrace.
Additons to the move:
- At 1.26 in the video, we look at an alternative entrance to the step. Instead of starting with a Salida Americana we simply started by walking outside partner and then leading her to a side step.
- At the beginning of step 2, when the leader steps forward with his left, he could perform a forward sacada to her left as she steps back with her right.
- Also, at step 2, we could lead her back cross with or without pivoting her first and then changes the feeling of the move.