You can see a very basic ocho cortado at .43 of the video.
Embellishments for the Women
We started by discussing the fact the the men are not doing anything different. They are simply leading an ocho cortado and the women are choosing which embellishment to do.
- The first embellishment can be seen at .23 of the video. You can see that Shelley places her weight on both feet during the side step and pivots her hips and feet (not her upper body) clockwise and then pivots back and crosses.
- At .29 of video, Shelley shifts her weight completely to her left leg, pivots on her left and flexes her right foot up. (We also encouraged the men to be more playful with the music and to repeat the ocho cortado twice in a row).
- At 1.27 of the video, Shelley shifts her weight to her leg and actually collects her right. She then returns to her right, pivots and crosses. This one is tricky and requires women to be very fast on their feet.
Very Compact Ocho Cortado
At .51 of the video, you can see a very compact ocho cortado which could be used for very crowded floor. The men simply turn their chests (not hips) clockwise while extending their right foot slightly forward. His weight and balance should remain on his left foot.
Starting at 1.00 of the video, we can see several embellishments for men. Essentially, I am balanced on my left foot and using my free, right foot to place it to the inside of her right foot and then the outside of her left (and added a barrida for fun). I could also place my foot to the inside of her right foot, etc.
Demo performed to "Qué Noche" by Juan d'Arienzo.