Home >> Online Tango Video Dance Instruction >> Intermediate Tango Classes >> Barridas, Paradas, Pasadas >> Intro to Barridas, Pasadas y Paradas
10/20/2010 at 04:52 PM in blog folder icon Tango Classes
A Barrida (a sweep, a drag) is the dragging of a partner’s free leg during a Caminata (walk) or Giro (turn). During this series, we will examine the proper technique for leading and following both external and internal Barridas in both open and close embrace. During the class we will also look at Paradas (stops) and Pasadas (passovers). Barridas are also known as, Arrastre (sweep, sweeping) and Llevada (carried, carrying).

4 Parts of a Step
Each step that we take in tango consists of 4 separate parts. Imagine that your supporting leg is your right leg, meaning that your weight is completely on your right leg:

  1. We send our free leg (left) to find the floor where we are about to step
  2. We begin to transfer our weight to our new supporting leg (left)
  3. We finish transferring our weight to our new supporting leg (left)
  4. We collect our new free leg (right) next to our supporting leg (left).

Practice finding and feeling all 4 parts of a step by taking slow, deliberate side steps. Feel every moment of the step.

Barrida Technique
Barridas are largely about positioning. While walking or turning the leader wants to stop his embrace while the follower is between her steps, so that she is mid-stride with her legs apart. He then positions himself over his new supporting leg, without shifting his embrace which might cause her to complete her step. He then uses his free leg to find the leg he wants to sweep. He leads her to transfer her weight to her new supporting leg and sweeps her free leg. Once he has completed the barrida he should lead her to settle her weight over her new supporting leg and to collect.


Image 1
Image 2

Figure 1: Simple Sacada

  1. We start out this move with back crosses (ochos). When I lead her back cross to the open side of the embrace, I initiate a barrida with my right to her right.
  2. I then lead her to take weight on her right. My weight is still on my left and I don't collect.
  3. I lead her to take a forward cross step, passing over my right foot (pasada) as I take weight onto my right. We pivot to return to our neutral position.
  4. We could do an arrepentida to return to line of dance.

Figure 1: His and Her Sacadas

  1. We start out this move with back crosses (ochos). When I lead her back cross to the open side of the embrace, I initiate a barrida with my right to her right.
  2. I then lead her to take weight on her right, while I collect my feet around her right foot (mordida / bite).
  3. I leave her on her right while I switch weight to my left and then lead a back cross to the open side of the embrace (my left side and her right side) for both of us.
  4. As we complete our back crosses, I lead her to execute a barrida to my left with her right and switch weight to her right. In the video, notice the triangle we create at 1:19. Also, leaders need to adjust their left foot at the end of this step to give her more room for the next step.
  5. Now, I lead her to take a forward cross step over my left foot, as I pivot and take weight onto my left foot creating a sacada to her right foot.
  6. We pivot to our neutral position as I switch weight to my right so that we end in parallel system with me on my right and her on her left.
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Part II:

In this second part, we look at paradas which are stops and happen whenever we stop our movement for any length of time and pasadas which happen whenever one partner has to step over (pass over) the other partner's foot or leg.

Figure 1: Basic Parada Sequence
We started by looking at a very basic parada sequence.

  1. The sequence begins from back crosses (ochos). When the leader leads the woman to a back cross to his right side he stops her (parada) mid-step and extends his right foot to find her left foot. He wants to put the forward part of his right foot to the forward part of her left foot, not going in very deep, just right at the toes. 19 sec of video
  2. He then takes weight on his right and steps around with his left to face her. His feet collect around her left foot creating a mordida (bite). Again, his left should not go in deep and the contact should only be at the forward part of the foot. 40 sec of video
  3. He then switches weight to his left and steps back and around with his right bringing her forward onto her left. At this point she should have her feet surrounding his left foot (mordida). Notice in the video that when I step back Shelley just comes straight forward onto her axis but no further and the I don't lean back, but rather keep my upper body over my hips while I settle my weight onto my back leg (right). 52 sec of video
  4. At this point, she is facing me so if I were to lead her to take a forward step she would have to walk into me, so I pivot her counter-clockwise. She is still on her left foot. Then I lead her to take a forward cross step over my left (pasada) and around me with her right as I take weight on my left. 54 sec of video
  5. Then I lead her to pivot and to take another forward cross as I return to my right. We are back in parallel system and can walk out.

Figure 2: Basic Parada Sequence with Barrida
This figure is the same as the one above only we add a barrida (sweep) at step 3. To accomplish this, at step 1, we must make sure that we stop her (parada) with her weight all the way back onto her right leg, so that her left is free to sweep.  1.30 mark in video. Then we step around with the left and sweep her left with our right. 2.07 mark in video.


Figure 3: Basic Parada to the Leader's Left with Barrida

This move uses a very similar technique as the other moves only we are starting with a parada to the leader's left (open side of the embrace). Then we are stepping more around her so that we can sweep her right foot to our right foot. 4.02 of video

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Part III:

Figure 1:
Parada and Barrida from Follower's Forward Cross


Figure 2:
Forward Sacada to Forward Cross to Parada and Barrida


Figure 3:
Barrida to Colgada

This figure is for more advanced dancers who already know the proper technique for leading and following colgadas.

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Tags: adornos (embellishments) , barridas , classes , giros , molinete , ochos , paradas , pasadas , technique , videos


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